| Ethnics
Profile: The Murut
Being one of the largest
indigenous groups in Sabah, Murut comprise of subgroups such as
Baukan, Gana’, Kalabakan, Okolod, Paluan, Sulangai, Serudung, Tagal,
Timugon and the Beaufort and Keningau Murut. Literally “Murut” means
“hill people”. They inhibit the interior and southeastern parts
of Sabah and the territory straddling the Kalimantan and Sarawak
borders. They are mostly shifting cultivators and hunters with some
riverine fishing. Those of Murut origin speak 15 languages and 21
dialects. The language commonly used and understood by the large
majority is Tanggal. Their language is also related to the Kadazandusun
languages.
Once feared as fearless headhunters and longhouse dwellers, the
Murut these days have abandoned much of their age-old traditions
especially headhunting. They are also very skilled in hunting with
blowpipe.
Costums
& Beliefs
In the by-gone era, collecting heads of enemies
served a very precise function in Murut society. A man can only
get married after he has presented at least one head that he has
hunted to the family of the desired girl. Heads also play a very
important role in spiritual beliefs.
The essence of Murut tradition of feasts is distinctive. No merrymaking
will end at least until sunrise and can last up to seven days later.
This is especially the case with weddings or funerals. Through modernization,
no more heads must be furnished for weddings but jars along with
cloth, beads, gold and ivory bracelets have taken its place. All
these dowry items will be proudly displayed at the ceremony. Jars
or “sampa” holds a prominent status in their customs. The Murut
know the age of sampa and treat them will due respect. Jars are
also a place of spirits. Beads play an integral role in Murut life.
Wedding beads must be presented in the form of belts, necklaces,
headgear and decoration. The wedding ceremony must be held in the
bride’s longhouse, tapai or rice wine must be served and all the
meat has to be pickled.
The Murut keep the bodies of their deceased in a jar and place them
in colourful and elaborately decorated grave-huts along with the
deceased’s belongings. The body will be placed in the foetal position
inside the jar and a gong will be placed over the mouth of the jar
to close it. However this custom of burial is becoming rare with
the availability of wooden coffins.
Tagal
Murut
The uniqueness of their costume is the beadwork stitched
on the black sleeveless blouse (sampayau pinongkoloh) and sarong
(tapi), which falls just below the knees. The Murut costume for
men comprise of a jacket made of tree bark (Artocarpus tamaran),
a red loincloth and a headdress decorated with Argus pheasant feathers.
The beadwork forms the familiar vertical and horizontal panels on
the tapi and becomes elaborate on the back. Like most of the other
indigenous groups in Sabah, the Tagal Murut also make belts out
of old silver dollar coins (tirol linggit) to be worn with their
costume. Another belt known as sukayan, which is made of reddish-brown
glass beads (sapulu) plus yellow and blue beads (botina) is hung
loosely around the waist.
Several rows of the same sapulu and botina beads form the headpiece
(sisihot). The most expensive ornament worn with their costume is
the bungkas – a belt made of several rows of white beads which is
hard to find now. This is usually part of the family heirloom and
forms part of the bride wealth. The costume is complete with a pair
of bead bangles worn on the upper arms.
Costume
of Women
| Pinongkolo |
Traditional
costume of women comprising of a blouse and long wrap-skirt
of black cotton decorated with beadwork. The decorated blouse
is called babaru linantian and the skirt is tapi linantian |
| Pipirot
|
Belts/waist
bands of silver coins (pipirot linggit) and various type of
beads; most popular being the aki, nampalur, kotos, bungkas,
aki’ and olod |
| Salupai |
A
headdress of several rows of beads. The salupai function to
support the sinikot |
| Sinikot
|
A
set of three hairpins, the sinikot tataun in the middle and
two sinikot surai on both sides of the hairbun. The larger
sinikot tataun has the longest strings of tiny beads floating
downwards to the middle of the back. |
| Rarangkol |
Necklaces
of various type of beads in certain order according to the
length – bungkas, kotos, aki’, pangungupu’, bulul, olod, etc |
| Holong |
A
pair of bracelets made from shell |
| Sinusu |
Peacock
neck feathers |
| Linimburu |
Leech-like
pattern |
| Tinukaang |
Zig-zag
tips of puputul tree arranged in a row |
| Sinuli |
Bamboo
slats flooring |
| Kalayam
manuk |
Chicken
feet-like motif |
| Sinusulou
|
Sulou-like
motif (giant sea clam motif) |
| Mato
nu orou |
Sun-like
motif |
Costume
of Men
| Babaru
puputul |
Bark
vest from puputul tree fashioned into sleeveless jackets and
loincloth. |
| Aba
puputul |
Loincloth
of approximately two metres long. The fabric is passed between
the legs and wound around the waist |
| Tupi
sinulatan |
Headband
of tree bark decorated with feathers from Argus pheasant |

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